Patsy cline sentimentally yours - Patsy Cline posthumous discography - Wikipedia

"A lot of songs were released after Cline's death and this was a track left over from her 4 Star [record deal] days," explains Harrington. "Imagine Chuck Berry guitars, with sad country lyrics, and Cline's effortlessly beautiful vocals. It may sound a little forced, but remember this was recorded in a time when artists like Brenda Lee or even Wanda Jackson were killing the charts with their own flair of rockabilly." Above all, this song's legacy is how it spotlights Cline's dynamic versatility as a singer. "It serves as a testament to the fact that that even the record labels don't always know what's best," adds Harrington.

The idea of 7" singles playing at 33-1/3 rpm was hardly new when Columbia re-introduced that format to the public in 1959. Back in the late 1940s, when Columbia and RCA-Victor were battling to see which speed would replace the 78, Columbia went all the way and started issuing their now-microgroove singles on the 33 speed (see example, below right). They even added radial "rumble strips" around the label to keep them from slipping when on a changer. But they were just weren't popular with record buyers and 45s quickly won out for singles. Columbia had to be content with a victory on albums. By mid-1952, the 7" 33 singles were banished from Columbia's catalog (they had never been in other catalogs).

When rival RCA-Victor jumped in on the stereo 45s in a big way in 1958, Columbia sat back and waited. Ultimately, they totally refused to give in to RCA's stereo-45 singles, although the did start issuing stereo EPs in February, 1959. Instead, they re-introduced their brainchild 33-single, this time in stereo, during the summer of 1959.

A bad idea is also a bad idea ten years later, usually. The record buying public still disliked the 33s. As singles, you couldn't put your thumb through a stack of them to keep from dropping them, and the fidelity wasn't much improvement, if any, to most customers' ears. Within a very few months, Columbia's dream of a single-speed industry (at 33-1/3, of course) failed completely.

By the start of 1960, the only solid customer the stereo-33 single had was the juke box operators, who stocked their stereo juke boxes with them. All the record labels began shipping stereo-33 singles to the juke box people in little packets of five discs, along with title strips for the juke boxes and 5x5-inch slick photos of the album from which the packet was derived. The juke box folks loved it.

A vast majority of the stereo-33 singles listed in this discography started as part of a 5-disc package for juke boxes. By 1962, the idea of selling stereo-33 singles at the local record store was about done, and the juke boxers started going for stereo EPs and "Little LPs" with three songs on each side, costing the listener 25 cents instead of one song for 10 cents. The Little LPs lasted much longer than the stereo- 33 singles, reaching into the 1970s.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail . Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with any of these record labels. Should you be interested in acquiring the stereo singles listed in this discography (which are all out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story and discography are copyright 2014, 2015 by Mike Callahan.

During the late 1980s and early 1990s, additional labels released compilation albums of Cline's material. In 1989, Rhino Records released three separate volumes of her 1950s recordings at Four Star Records . In 1990, her original version of " Crazy " reached #14 in the United Kingdom , and "I Fall to Pieces" peaked at #87. Both songs were then included on her 1992 British compilation, The Definitive Patsy Cline. [6] In 1995 the MCA compilation, Patsy Cline Sings Songs of Love sold one million records in the United States. In 1999, Mercury Records released Patsy Cline Duets, Volume 1, which peaked at #67 on the Top Country Albums chart. In addition it spawned two singles including an overdubbed version of "There He Goes" with John Berry , which peaked at #70. [7] In 2004, MCA's The Definitive Collection peaked at #52 on the Billboard Country Albums chart, and Patsy Cline Gold (2005) reached #43. [8] Patsy Cline has sold 15 million records posthumously according to the Recording Industry Association of America . [9]

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sb rne C llectibles MUSIC: RECORDS. Time frame ('50s, '60s, etc.) refers to when the music was made, not when issued, or reissued. All listings are LP albums unless ...

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